Portrait Painter Magazine

THIS ISSUE ALMOST GOT MY ASS CANCELED!

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The October 2024 issue of PORTRAIT PAINTER features a duel, a scuffle to the death, between Jean-Léon Gérôme and your's truly.

Utilizing Gérôme's The Bacchante, 1853 as a foil I deliver a resounding smack of my snot streaked mitten to wipe the smirk off of the face of Classical Realism.

Perchance you might ask why am I prosecuting Gérôme? Gérôme was an affable fellow, I would have enjoyed a frothy beverage or several with him, but he was out-of-step even in his time, the late 19th Century.

It is Gérôme's pedagogy and aesthetic, namely, the Bargue method developed in 1866/1877 for Gérôme's students, that today's Academies are predicated.

We live in a time that cries out for giants of painting. Our age of alienation and loneliness is fecund ground for expression. And illustrative, academic painting modes will not cut it.

I might also have hoisted myself with my own petard.

The November issue of PORTRAIT PAINTER will be released on October 29, 2024. Back-issues are $27. You’ll never want to miss getting it free!

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Painting-Alla-Prima-Portraits

Painting Alla Prima Portraits from Photographs

My upcoming Portrait Painting Zoom Class begins Tuesday, November 12 and 19th, 2024 at 18:30 PST for two sessions. $160

Alla Prima is loosely defined as first strike. That is, the portrait is done in a single session.

Painting alla prima is not painting manically. Instead it is a process of painting with a succinct economy of means -- every brush stroke counts!

For the learning process the alla prima portrait is spread over two sessions. The first session is structural: You begin with striking the arabesque (the big shape) and establishing the facial proportions. From there you proceed to a 'dry' coloring-in. These are your training wheels.

The second session is the construction of plastic facial forms with a sculptural sensibility. To wit, you will learn how to apply your brush strokes and color with a sympathetic concordance to the underlying anatomical forms, thus rendering a convincing 3-dimensional portrait that is as fresh as hot biscuits.

Also included is the ultra-high resolution video recording of the workshop that is your's to keep for future reference.

Write: michael-britton-workshops@artacademy.com for the full syllabus, supply list and to register.